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The Sweet East

ComédieCrimeDrame

Un voyage picaresque à travers les villes et les forêts de la côte Est des États-Unis entrepris par Lillian, une lycéenne de Caroline du Sud. Elle a un premier aperçu du vaste monde lors d'un voyage de classe à Washington, D.C.

Année

2024

Durée

1h 44m

IMDb

6.4

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Casting

Sean Price Williams

Director

Jack Irv

Troy

Talia Ryder

Lillian

Casting

Sean Price Williams

Director

Jack Irv

Troy

Talia Ryder

Lillian

Ella Rubin

Annabel

TM

Tess McMillan

Tessa

Jamie Granato

Tour Guide

Jonathan Daniel Brown

Mr. Franks

Peter Vack

George Washington Boy

Betsey Brown

Betsy Ross Girl

Earl Cave

Caleb

Andy Milonakis

Jeff

JP

J. Patrick McElroy

Manager

KC

Kaili Corcoran

Becky

CA

Cameron Andre

Adam

AF

Adam Friedland

Eric

Simon Rex

Lawrence

TH

Thomas Helm

Timmy

Ayo Edebiri

Molly

Jeremy O. Harris

Matthew

NP

Nick Pinkerton

Writer

Bande-annonce

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Commentaires

10 commentaires

YooooJan 24, 2025

♡

Aj’s lounge & GrillsSep 10, 2024

The 17-18 year old high school senior who is the supposedly "picaresque" main character in this flick is utterly obnoxious in her vacant, empty, amoral approach to life. In many ways she seems younger, more like a 13 or 14 year old perhaps who is worried about being seen as "cool" so she constantly degrades absolutely everything as boring. Furthermore, I recall at that age having ethics and even budding political beliefs, while Lillian blankly moves between anarchist, far right, and vaguely leftist groups with zero feeling or development of intellect. A terrible incident occurs about 3/4 of the way through the film that is almost entirely her own fault. She is much too old to feign ignorance that the people whom she stole from were dangerous or that her bad behavior would result in significant consequences - in this case, death for innocent people whom she's lied to. I don't find this film amusing, and the character isn't even believable as a young woman in her late teens. I have seen reviews comparing the effect of her character passing through American current events to Forrest Gump unwittingly witnessing 20th century history unfold in front of his naive face. However, Gump was a well-written, expertly acted, and ultimately sweet film about a kind but intellectually disabled man. The Sweet East is just is pretentious nonsense. Not even sure what the director was trying to say, the flick seems to hint that the film makers are guilty of pseudo-intellectual false equivalence comparing disparate 21st century American political views.

Amerie TariconeJul 21, 2024

Joel EL ClaroJul 16, 2024

🤬Mohamad Ali🤬Jul 16, 2024

khaled خالدJul 16, 2024

HotaApr 4, 2024

I have never been to the east coast of North America but watching a film like The Sweet East informs me in surreal and unconventional fashion what a culturally specific and striking region it is. This is a film that won't be for everybody; it's terminally odd, episodic to the point of being untethered, fiercely dialogue driven in some areas and visually shocking in others, a challenging arthouse road picture shot on grainy film stock, wrestling through restless themes in unorthodox fashion with a protagonist who is just south of likeable and just north of antihero. Lillian (Talia Ryder) is a runaway teen who finds herself energetically propelled from one strange encounter to the next along the USA's eclectic eastern seaboard, meeting one bizarre character after another in a free flowing, stream of consciousness vernacular that feels like a twilight zone Americana heroes journey gone slightly awry. Going into this it felt very barebones indie but there are some jarringly recognizable faces peppered in amongst the ensemble including Ayo Edibiri (FX's The Bear), Jacob Elordi (Sofia Coppola's Priscilla) and a standout Simon Rex, an actor I know only for his goofy presence in Scary Movie 3 and whose verbose, eccentric middle aged scholar here was an utterly surprising addition. Many films like this strive to illustrate a sort of dark side to the American dream but this one starts Lillian at a place where that dream isn't even a feasible undertaking, and even when she achieves some semblance of it by accidentally stumbling into the film industry, it's quickly snatched away in almost cartoonishly violent, satirically grotesque form. Like it or hate it, a lot of beautiful creativity and thought (both conscious and unconscious) went into this film and I appreciate it for being such a singular piece of artistic expression. Plus who doesn't love weird s**t? It's like a poet hipster's answer to Midnite Movie grindhouse sensibility and that's something you don't see every day.

yeabsiraMar 31, 2024

user4043635168939Mar 31, 2024

Aight. So we're following Lillian who ran away (just for fun) and now she's getting mixed up with all sorts of people. We have some radical artists/activists, some alt right crowd, some actors, some radical religions types. So, I guess, this whole movie supposed to be like a portrait of the country. Or political satire maybe. In reality though, it's very tedious and obnoxious experience. The main reason - Lillian. She's shallow, superficial, uninteresting human being. She's annoying and frustrating. She got nothing original to say. She's boring and she bored. And not really a compelling or sympathetic character. Side characters are fine though, but it feels like their potential is wasted on Lillian. Cinematography is also nice, but not strong enough to carry the whole thing.

💝💞💖💗Mar 14, 2024

the sweet east