Featured titleTalambuhay

Mahanati

TalambuhayDrama

Biography of Savitri, an actress from South India movie industry, who ruled the industry for two decades during 50s and 60s.

Taon

2018

Tagal

2h 57m

IMDb

8.4

Panoorin Ngayon

Cast

Nag Ashwin

Director

Keerthy Suresh

Savitri

Dulquer Salmaan

Gemini Ganesan

Cast

Nag Ashwin

Director

Keerthy Suresh

Savitri

Dulquer Salmaan

Gemini Ganesan

Samantha Ruth Prabhu

Madhuravani

Vijay Deverakonda

Vijay Anthony

Rajendra Prasad

K.V. Chowdary

Bhanupriya

Durgamba

D

Divyavani

Subadrama

Mohan Babu

S.V. Ranga Rao

Prakash Raj

Aluri Chakrapani

Srinivas Avasarala

L.V. Prasad

IA

Irfan Ahmed Syed

Prithivirajkapoor

Naga Chaitanya Akkineni

Akkineni Nageswara Rao (ANR)

Manobala

P. Pullaiah

Malvika Nair

Alimelu

Shalini Pandey

Susheela

RK

Radha Krishna Jagarlamudi

K.V. Reddy

Tharun Bhascker Dhaassyam

Singeetham Srinivasa Rao

Sai Tejashwini

Child Savitri

Nag Ashwin

Writer

SM

Sai Madhav Burra

Writer

PV

Padmavathi Visweswar

Writer

PM

Padmavathi Malladi

Writer

SU

Sanjay Upadhyay

Writer

Trailer

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10 Mga Komento

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Abess NehmeJan 13, 2026

Claayton07Nov 1, 2024

I'm mostly familiar with Bollywood, although I have seen a few Tamil movies. This title was both a cinematic and a learning experience for me. It's a biopic of the most famous actress in Telegu cinema of the 50's and 60's. The story may seem awfully familiar, but I guess that's the fate of fame. Here's what I loved about this film: the integration of two stories, one modern, one historical; the amazing abilitiy, innocence, sweetness and essential goodness of Savitri (and the actress who portrayed her); the use of the black & white recreations of old film; the depiction of a wide-open film industry like Hollywood was said to be in the 1930's; and finally, the scaled-down musical numbers (I really don't like the nouveau Bollywood musical numbers, with the hip-hop, modern clothing and blondes). I did some reading and You-Tubing after I watched this, and the accuracy of this depiction seems spot-on. I don't give 10s as a rule, but this film is 9+.

PriddysandNov 1, 2024

Promising start then gets too melodramatic. Not sure if all events as shown in the movie were inspired by real life - if so, boy! Life is more filmi than I thought. Keerthi of course deserves a special mention, however I feel in the latter half especially when she leans towards addiction, she kind of appears not in control. So also, her earlier 'chirpy' scenes too looks a tad over the top. In the guise of depicting the talented and beautiful life of Savitri, the movie gets away with depicting male misogyny unapologetically. The main leads could have been more fleshed out to portray more realistically rather than cater to the masses with clear cut black and white personalities. A glaring error in the storytelling is in the begining when Bhanupriya tells a young boy that she will tell him a story and Vani sneaks to overhear it, there is no return to this scene anywhere towards the end. Instead in the last scene, we see Vani in the same room with different clothes sprouting emotional monologue with a dying Savitri in the background. Keerthi is a good actress but she needs to be a bit more seasoned to capture the entire essence of this character, especially towards the latter years. I think in a few years more if she had to this role all over again, she would be mind-blowing - if she gets a better director too. Dulquer was weak and looked uncomfortable. Samantha could gave been a lot more stronger if she had on less make up and really concentrated on her character ( just wearing glasses with heavy eye make up and bloated lips, does not an actor make). The character as Savitri's uncle,/ father was exceptionally good. Overall, melodramatic fare, seen many times before, nothing new, except the fact this was supposedly based on the life of a tormented beautiful and talented film star. It could have been so much more renarkable. With shades of Abhimaan, A Star is Born and countless other similar melodramatic movies of the 70's,80's, this one had the potential to push the envelope a bit, however just plays safe.

P H Y S SNov 1, 2024

Excellent movie that lives upto the expectations of a biopic about the legendary actress! Let me start with what I remembered when I heard the name Savithri until I saw the movie. I remembered the queen of weepy movies that the kid in me didn't want to watch on a Sunday evening. I remembered my grandmother's heavy praises about her acting. I remembered her masculine acting in the movie Maya Bazaar, the movie I loved. I remembered mentions about her being a drunkard which made me wonder why would such a popular actress go mad like that. Little did I know that she was a fun-loving person with interest in race cars, a philanthropist and had so much complications with marriage and life but lived like a lioness until she fell prey for alcoholism. I went to the movie expecting a linear narrative of Savithri's life story but was pleasantly surprised to see that the director Nag Ashwin decided to take us through the journey of a lady journalist in 80s who was covering Savithri's death (Two Period movies in one). Here I am thinking high about this young pony-tailed newbie director just for taking up such an attempt instead of the usual masala and he strikes me even hard with his attention to detail, unexpected comedy and handling of emotional scenes with finesse. It only makes me wonder how many producers are out there (other than his father-in-law who produced this movie) who can bankroll for this crazy guy's future ambitions. Needless to say he has been added to my short list of directors to watch for. Keerthy Suresh! She really makes sure that nobody can brush aside her choice for Savithri as just by chance for being a close look-alike physically. While it's not a surprise that she shines in the early portions as a playful teenager which she has portrayed already in other movies, she also proves that she can deliver a plethora of emotions including fit of rage, helplessness etc. Her mimic-ing of 60s like facial expressions and jaw movements also help the role. I would have liked to see less of her teeth in some scenes though. But I have to say I expected more from Dulquer. I didn't see Gemini Ganesan's soft-spoken charm come across but he does score in later scenes while expressing frustration. Samantha does her part well but I am not sure what exactly others see as special in the climax scene. It was just usual. Coming to the shortcomings of the film, I felt Nag could have tried to replaced certain scenes with just a dialogue/narration to avoid the awkwardness. For ex, the laddu eating scene right after showing her marriage problems, comical engagement scene of Samantha while the audience is trying to digest the fact that Savithri became an alcoholic. It's like eating dessert between sambar rice and rasam rice! Hope he will learn with more films how important it is to maintain the emotional state of audience. Oh and btw, padding actor's face with stuff just to show that she put on weight doesn't help with expressing emotions. Even Kamal did this mistake in Dasavadharam so I don't blame Nag much. I have one burning question though. How does the story of Savithri (going from success to failure due to her "love" for a married guy who cheats her later) inspire Samantha to "kick"-start her love life opposing even her parents, I don't know. What would have been a perfect end to her story is if she develops courage to fight against male chauvinism inspired by Savithri. Poor Nag might have been worried about alienating male audience too much. Overall, If you're crazy bugged about the formula movies that they're spinning nowadays and would like to spend some worthy time in nostalgia, go watch this movie.